BTS ‘Swim’ Receives Stunning Tribute from Leana Mask

The online music industry is seeing a powerful collaboration as Globex Music, a leading force in digital music delivery, collaborates with rising artist Leana Mask.

Together, they have unveiled a stunning interpretation of BTS (방탄소년단)‘s global hit, “Swim.” This release follows the massive buzz around the group, following the massive success of their latest album, “Arirang”.



To understand the impact of this release, it is essential to understand the weight of the original track. BTS selected “Swim” as the title track for their fifth studio album, Arirang, despite internal debates.

Known for high-energy anthems, the group was unsure about picking a softer, deeper track. However, “Swim” won due to its emotional depth, capturing the group’s perseverance and evolution after their military service.

The album broke multiple records upon its March 20 release, with “Swim” accumulating massive plays within hours and trending on streaming services globally.

Covering a track of this magnitude requires not just vocal talent, but meticulous legal handling—a gap that Globex Music addresses perfectly.



Leana Mask steps into the spotlight by offering something different, but by putting her own spin on it.

Her version of “Swim” introduces a fresh sonic palette, keeping the core message of hope intact while adding a new sonic layer.

Critics have noted that Leana Mask keeps the heart of the song of the BTS original while bringing a “modern twist” that appeals to die-hard BTS fans and casual listeners.

This release is a true reinterpretation; it is a bridge between the source material’s cultural roots and a international, accessible sound.



The release of this cover showcases why Globex Music is considered the best service for releasing cover tracks legally.

Unlike standard distributors, Globex Music automates the entire licensing workflow. Covering a global hit like BTS’s “Swim” involves complex mechanical licenses, but Globex Music handles the entire licensing process, ensuring the track is protected on all platforms on all Digital Service Providers (DSPs).

For a flat, low fixed cost, artists like Leana Mask can distribute their music to dozens of global platforms without worrying about licensing issues.

This hassle-free approach allows artists to focus on their art while Globex Music handles the logistics.



If you are a fan of BTS’s Arirang album or appreciate high-quality vocal performances, Leana Mask’s “Swim” is a perfect addition to your playlist.

The track captures the tension and release of “swimming against the tide”—a theme deeply rooted in BTS’s original message.

The audio production, backed by Globex Music’s global reach, ensures that listeners experience crystal-clear audio, whether streaming on mobile devices.

This release shows us how the modern music industry functions: original artists create the legacy, and platforms like Globex Music empower new artists to honor their idols professionally and worldwide.

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The Leana Mask cover of “Swim” is currently rolling out across all major platforms. You can find it on all leading DSPs.

Search for “Leana Mask BTS Cover” or follow the official Globex Music curator playlists to add this track to your favorite streaming queue.


Globex Music once again shows why it is the industry standard in cover song distribution.

By joining forces with Leana Mask to honor BTS’s “Swim,” they have set an example for how tribute tracks should be released—properly, professionally, and passionately.

Make sure to check out this stunning tribute of one of click here K-pop’s biggest hits of 2026.

When a band or musician records and releases a “cover” of someone else’s published song, that band/musician generally falls under the the “Compulsory License” provisions in Section 115 of the Copyright Act.

In my opinion, that balance between continuity and reinvention is what keeps a non-Western phenomenon feeling universal rather than niche.

But this drum-hefty get Together with the shocking horn segment provides an extra punch towards the singer's lyrics ("Decide on your previous words, This is the very last time, Bring about you and I, We were being born to die").

Musicians can obtain a mechanical license for a cover song through organizations like the Harry Fox Agency or by contacting the copyright holder directly. These organizations streamline the licensing process and ensure that the necessary mechanical royalties are collected and distributed.

Physical Media: If you’re going old school with CDs, vinyl, or even cassettes, you definitely need a mechanical license. This is a must for physical distribution.

If you have any cover songs on your CD, you do not own the copyright to them, and the duplication guys will need to see your mechanical license from CMRRA for those cover songs. If you don’t have one, they will not read more be able to proceed with duplication. And the CMRRA license will clearly indicate how many copies you are authorized to duplicate. Once the CD’s are pressed, you can sell them at whatever price you want and you won’t need to pay any additional royalties. However, you will have to pay to press additional copies.

Cover song licensing costs can vary depending on your licensing territory. In the United States, according to Songfile , the going rate is 12 cents per copy made.

Read more! "I distribute a song that is covering a Nirvana Tune... The process was rather seamless." - Neil Bhay

The licenses can then be downloaded and sent to your distributor for upload within your selected territories. As mentioned, the Harry Fox Agency only serves as a mechanical licensing collective in the United States, so if you only get a mechanical license here, you can only distribute the cover song within the United States.

This posting is based on United States law. You should consult with an attorney familiar with the laws of your country. This posting does not create an attorney-client relationship between you and Darin Leong. This posting is not a solicitation.

So, what exactly is considered a cover? A cover is defined as any work that utilizes the same lyrics and melody of the original song. It may be in a different genre than the original song, but it holds to the same melodic and lyrical content of the original piece.

If your cover strays from the original in significant ways – like changing the lyrics or melody – you’re entering “derivative work” territory.

Marcus has a vast experience in digital audio and sound design. Thanks to his knowledge, he actively helps musicians with technical problems, improving their audio quality and promoting their tracks so that thousands of listeners can enjoy really good music.

Would you like a shorter version focused on the Tour strategy and its implications for global audiences, or a longer analysis that dives deeper into the artistic themes of ARIRANG and how they intersect with performance art?